Description: Synchronization and Title Sequences by Michael Betancourt Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen. Author Biography Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo . Table of Contents Introduction; 1: The Progressive Myth; 2: A Precarious Balance; 3: The Tilt in the States; 4: Federal Repercussions; 5: The Anomalous Counterweight; 6: Beveling the Congress; 7: The Deliberation to End All Deliberations; Epilogue Long Description Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals--from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)--author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen. Details ISBN0367890399 Author Michael Betancourt Publisher Taylor & Francis Ltd Year 2019 ISBN-10 0367890399 ISBN-13 9780367890391 Format Paperback Imprint Routledge Subtitle Audio-Visual Semiosis in Motion Graphics Place of Publication London Country of Publication United Kingdom DEWEY 777.55 Publication Date 2019-12-12 Short Title Synchronization and Title Sequences Series Routledge Studies in Media Theory and Practice Language English UK Release Date 2019-12-12 AU Release Date 2019-12-12 NZ Release Date 2019-12-12 Pages 156 Alternative 9781138085060 Audience Tertiary & Higher Education We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:159450781;
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Format: Paperback
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Book Title: Synchronization and Title Sequences
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