Singin' In The Rain MGM Records X-113 EP Set 2 7" Gene Kelly Debbie Reynolds

Description: Singin' In The Rain Label:MGM Records – X-113Format:2 x Vinyl, 7", 45 RPM, EP, MonoCountry:USReleased:1955Genre:Stage & ScreenStyle:MusicalA1Singin' In The RainA2Make 'Em LaughB1You Were Meant For MeB2All I Do Is Dream Of You/Fit As A FiddleC1MosesC2All I Do Is Dream Of YouD1Good MorningD2You Are My Lucky Star Singin' in the Rain is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor and Debbie Reynolds, and featuring Jean Hagen, Millard Mitchell, Rita Moreno and Cyd Charisse in supporting roles. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to "talkies". Arthur Freed conceived the idea of the film based on the back catalogs of songs written by himself and Nacio Herb Brown. Because many of the songs had been written during the transition from silent films to "talkies", writers Betty Comden and Adolph Green decided that was when the story should be set. When the story morphed into that of a romantic hero with a vaudevillian background surviving the transition period in Hollywood and falling back onto his old song-and-dance habits, Kelly, who was chosen for the lead along with Donen, responded enthusiastically to it. The film was released after a premiere at the Radio City Music Hall on April 11, 1952. The film was only a modest hit when it was first released. Today, however, it is often regarded as the greatest musical film ever and one of the greatest films ever made.[2] It topped the AFI's Greatest Movie Musicals list, ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007, having ranked as the tenth-greatest in the original 1998 list, and Kelly's rendition of "Singin' in the Rain" ranked third in their list of the greatest film songs. In 1989, Singin' in the Rain was one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".[3] In 2005, the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In 2008, Empire magazine ranked it as the eighth-best film of all time. In Sight & Sound magazine's 2022 list of the greatest films of all time, Singin' in the Rain placed 10th.[4] Previously, it had ranked fourth in their 1982 list and tenth in their 2002 list. This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2024) (Learn how and when to remove this message)In 1927, silent film stars Don Lockwood and Lina Lamont attend the premiere of their latest film The Royal Rascal, produced by Hollywood studio Monumental Pictures. On the red carpet, Don tells the story of his rise to stardom, claiming to have grown up cultured and highly educated. His words are contradicted by flashbacks showing his humble roots as a hoofer, vaudeville musician and stuntman alongside his childhood best friend and long time collaborator Cosmo Brown ("Fit as a Fiddle"). Don also expresses his admiration for Lina, feeding rumors of a secret romance between them. In reality, the rumors are a publicity stunt and Don barely tolerates Lina, although she believes that he loves her. After the premiere, Don is mobbed by fans on his way to the afterparty and forced to escape by jumping into a passing car driven by Kathy Selden. Kathy agrees to give Don a lift so he can replace his ruined suit, but becomes exasperated by his attempts to schmooze her. She goads him by claiming to be a theatre actress and expresses disdain for film acting, particularly Don's hammy performances. Don responds by mocking her acting aspirations, and they part on bad terms. Don arrives at the afterparty, where Monumental Pictures' CEO R. F. Simpson shows a demonstration of a talking picture,[a] though his guests are unimpressed and assume talking pictures will be a fad. A group of chorus girls then arrive to perform, and Kathy is revealed to be among them ("All I Do is Dream of You"). Furious at Don's teasing, Kathy throws a cake at him, but he dodges it and it hits Lina instead. In the confusion, Kathy runs away before Don can catch up with her. Three weeks later, Don has fallen in love with Kathy but cannot find her. Cosmo tries to cheer Don up ("Make 'Em Laugh"), but Lina reveals that she arranged for Kathy to be fired from her chorus girl job, infuriating Don. Cosmo then finds Kathy working as an extra in another Monumental Pictures film ("Beautiful Girl"), and Don reconnects with her. Kathy admits to actually being a fan of Don's, while Don professes his romantic feelings for her ("You Were Meant for Me"). When Monumental's rival studio Warner Bros. releases its first talking picture, The Jazz Singer, to wide acclaim, R. F. decides he has no choice but to convert the next Lockwood and Lamont film, The Dueling Cavalier, into a talkie. Lina and Don undertake elocution lessons in preparation ("Moses Supposes"), but the production is beset with difficulties, most notably Lina's grating, high-pitched voice and the actors being unfamiliar with the recording technology. The film's preview screening is also a failure due to multiple complications (including awkward microphone placements, Don's uninspired improvising[b] and the audio going out of sync), leaving the cast and production team despondent. Later that night, Kathy and Cosmo suggest The Dueling Cavalier be turned into a musical ("Good Morning"), and Cosmo, inspired by the film's synchronization error, suggests Kathy should dub Lina's voice. Don happily agrees, then takes Kathy home and dances through her neighborhood in the rain ("Singin' in the Rain"). The next day, Don and Cosmo pitch their idea to R. F., changing the title of the film to The Dancing Cavalier and adding a modern framing device ("Broadway Melody"). R. F. approves but tells them not to inform Lina of Kathy's involvement. Don and Kathy get to work dubbing Lina's lines ("Would You"), but Lina is tipped off by another actress and discovers the ruse. When Lina realizes that Don and Kathy are in love and learns that R. F. intends to give Kathy a screen credit for dubbing over her, she retaliates by giving interviews across Hollywood erroneously promoting her musical talent. Unable to contradict Lina due to a clause in her contract that allows her to sue the studio for negative press, R. F is forced to leave Kathy uncredited and agree to Lina's demand that Kathy continue anonymously dubbing for her entire career. The premiere of The Dancing Cavalier is a success, but when the audience clamors for Lina to sing live, Don, Cosmo, and R. F. tell her to lip sync into a microphone while Kathy, concealed behind the curtain, sings into a second microphone. While Lina is "singing" ("Singin' in the Rain Reprise"), Don, Cosmo and R. F. open the curtain, revealing the ruse and humiliating her. Lina and Kathy both flee the stage, but Don stops Kathy and proudly announces to the audience that she is "the real star of the picture" ("You Are My Lucky Star"). Some time later, Kathy and Don kiss in front of a billboard for their new film, Singin' in the Rain. CastGene Kelly as Donald "Don" LockwoodDonald O'Connor as Cosmo BrownDebbie Reynolds as Kathy SeldenJean Hagen as Lina Lamont. Fresh from her role in The Asphalt Jungle, Hagen read for the part for producer Arthur Freed. She did a dead-on impression of Billie Dawn, Judy Holliday's character from Born Yesterday which won her the role.[5]Millard Mitchell as R. F. Simpson. The initials of the fictional head of Monumental Pictures are a reference to producer Arthur Freed. R. F. also uses one of Freed's favorite expressions when he says that he "cannot quite visualize it" and has to see it on film first, referring to the "Broadway Melody" sequence.Cyd Charisse as the woman in the green sequined dress and Louise Brooks–style hair who vamps Gene Kelly in the "Broadway Melody" sequenceDouglas Fowley as Roscoe Dexter, the director of Don and Lina's filmsRita Moreno as Zelda Zanders, the "Zip Girl" and Lina's friend. As of 2024, Moreno is the last surviving credited star from the film.Uncredited Dawn Addams as "Teresa", a lady-in-waiting to Lina's character in The Duelling CavalierMadge Blake as Dora Bailey, a Hollywood gossip columnist based on Louella ParsonsMae Clarke as the hairdresser who puts the finishing touches on Lina Lamont's hairdoJohn Dodsworth as "Baron de la Ma de la Toulon", the villain in The Duelling CavalierKing Donovan as Rod, head of the publicity department at Monumental PicturesTommy Farrell as Sid Phillips, the director of the movie featuring "Beautiful Girl"Kathleen Freeman as Phoebe Dinsmore, Lina's diction coachStuart Holmes as J. Cumberland Spendrill III, Olga Mara's husband who accompanies her to the premiere of The Royal RascalJudy Landon as Olga Mara, a silent screen vamp who attends the premiere of The Royal RascalBetty Noyes as the singing voice of Debbie Reynolds on "Would You"[6] and "You Are My Lucky Star"[7]Julius Tannen as the man demonstrating the technology of talking pictures[8][9]Jimmy Thompson as the singer of "Beautiful Girl"[10]Bobby Watson as Don's diction coach during the "Moses Supposes" numberSongsSingin' in the Rain was originally conceived by MGM producer Arthur Freed, the head of the "Freed Unit" responsible for turning out MGM's lavish musicals, as a vehicle for his catalog of songs written with Nacio Herb Brown for previous MGM musical films of the 1929–39 period.[11] Screenwriters Betty Comden and Adolph Green wrote one entirely new song, "Moses Supposes", with music director Roger Edens providing the music (see below).[12] Freed and Brown wrote a new song for the movie, "Make 'Em Laugh", though it bears a striking resemblance to Cole Porter's "Be a Clown" from another MGM Freed-produced musical, The Pirate (1948). Donen, who had asked the pair to write a song inspired by "Be a Clown", considered the result to be "100% plagiarism".[13] However, Porter never sued for copyright infringement.[14][15] All songs have lyrics by Freed and music by Brown unless otherwise indicated.[12] Some of the songs, such as "Broadway Rhythm," "You Are My Lucky Star," "Should I?", and especially "Singin' in the Rain" itself, have been featured in numerous films. The films listed below mark the first time each song was presented on screen. "Fit as a Fiddle (And Ready for Love)", originally published in 1932 with music by Al Hoffman and Al Goodhart, lyrics by Freed."Temptation" (instrumental only) from Going Hollywood (1933)."All I Do Is Dream of You" from Sadie McKee (1934).[12] The arrangement in "Singin' in the Rain" is an up tempo, upbeat, "flapper" version of the song with full instrumentation. In contrast, the "Sadie McKee" version is slower tempo, and appears routinely throughout the film as a love ballad accompanied by a solo ukulele. An instrumental only version with full orchestration is also part of the film's opening and closing theme. An instrumental version was also played on the piano by Chico Marx in the 1935 Marx Brothers film A Night at the Opera."Singin' in the Rain" from The Hollywood Revue of 1929 (1929).[12] Kelly's performance in the song is now considered iconic.[16]"Make 'Em Laugh""Beautiful Girl Montage" comprising "I've Got a Feelin' You're Foolin'" from Broadway Melody of 1936 (1935),[12] "The Wedding of the Painted Doll" from The Broadway Melody (1929),[12] "Should I?" from Lord Byron of Broadway (1930)[12] and "Beautiful Girl" from Stage Mother (1933)[12]"You Were Meant for Me" from The Broadway Melody (1929)[12]"You Are My Lucky Star" from Broadway Melody of 1936 (1935)[12]"Moses Supposes" (music by Roger Edens, lyrics by Comden and Green), from a 1944 version based on the tongue-twister with the same title."Good Morning" from Babes in Arms (1939)[12]"Would You?" from San Francisco (1936)[12]"Broadway Melody" composed of "The Broadway Melody" from The Broadway Melody (1929)[12] and "Broadway Rhythm" from Broadway Melody of 1936 (1935).[12] The music for the "Broadway Ballet" section is by Nacio Herb Brown.[17]ProductionHistoryArthur Freed, the head of the "Freed Unit" at MGM responsible for the studio's glossy and glamorous musicals, conceived the idea of a movie based on the back catalog of songs written by himself and Nacio Herb Brown, and called in Betty Comden and Adolph Green from New York to come up with a story to tie the songs together and to write the script. Comden and Green first refused the assignment, as their agent had assured them that their new contract with MGM called for them to write the lyrics to all songs unless the score was by Irving Berlin, Cole Porter, or Rodgers and Hammerstein. After a two-week hold-out, their new agent, Irving "Swifty" Lazar, having looked over the contract, told them that the clause had been entirely an invention of their previous agent, and that there was no such language in the contract. After hearing this, Comden and Green began working on the story and script.[18] Because many of the songs had originally been written during the time when silent films were giving way to "talkies" and musicals were popular with audiences, Comden and Green came up with the idea that the story should be set during that transitional period in Hollywood, an era they were intimately familiar with. When Howard Keel was mentioned as the possible lead, they tried to work up a story involving a star of Western films who makes a comeback as a singing cowboy, but they kept gravitating to a story about a swashbuckling romantic hero with a vaudeville background who survives the transition by falling back on his abilities as a song-and-dance man, a story which Gene Kelly was well-suited for.[19] Kelly could not be approached at the time, as he was deeply immersed in An American in Paris (1951), which he was co-choreographing with Stanley Donen, and in which he was starring. Comden and Green continued to work on the script, and had at that time three possible openings for the film: a silent movie premiere, a magazine interview with a Hollywood star, and a star-meets-girl, star-loses-girl sequence. Unable to decide which to use or how to proceed, they had just decided to return their advance to MGM and admit defeat, when Betty Comden's husband arrived from New York and suggested that they combine all three openings into one. The script with the re-written opening was approved by Freed and by MGM's head of production Dore Schary, who had recently replaced Louis B. Mayer.[20] By this time shooting on An American in Paris had completed, and Freed suggested that Kelly be given the script to read. Kelly and Donen responded enthusiastically, and immediately became involved in re-writes and adjustments to the script. Comden, Green, Kelly, and Donen were all old friends, and the process went smoothly. Besides the Freed-Brown songs, Comden and Green contributed the lyrics to "Moses Supposes", which was set to music by Roger Edens. Shortly before shooting began, "The Wedding of the Painted Doll", which Comden and Green had "painfully wedged into the script as a cheering-up song" was replaced with a new Freed/Brown song, "Make 'Em Laugh",[21] which bore a remarkable resemblance to Cole Porter's 1948 song "Be a Clown".[22] After Comden and Green had returned to New York to work on other projects, they received word that a new song was needed for a love-song sequence between Kelly and Debbie Reynolds. The original had been a song-and-dance medley involving different sets in different soundstages on the studio lot, but they were asked for a romantic love song set in an empty sound stage, and it was needed immediately. Comden and Green provided such a scene for "You Were Meant for Me" and sent it off to Hollywood.

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