Scott Sandell "Oceanweather #45" Signed Original Artwork Monoprint MAKE AN OFFER

Description: We have a 100 percent guarantee of authenticity and a 30 day return policy. 50 Mixed Medias and Graphics by Sandell In Our Store "Oceanweather #45" Original Monoprint by Scott Sandell Hand signed by the artist "Oceanweather #45" Unframed Original Monoprint (See definition of Monoprint at bottom of page) Size: 30" x 22" Condition is Excellent. 100 percent guarantee of authenticity Certificate of Authenticity is included Gallery Retail : $415.00 (unframed) This is a part of the artist's "Oceanweather" series. No two images are the same, but they are all based on a similar theme. Click here to see more "Oceanweather" monoprints. Click Here to See More Scott Sandell Artworks in Our Store MAKE AN OFFER!! Shipping Info : Buyer pays $14 within the continental US. International (and HI, AK) buyers will be notified if cost via email. If you can come to our Aurora, CO office you can pick it up (local taxes apply). Questions? Please feel free to send us a message. Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying. Shipping Notice : Shipping is provided by experts in handling the transportation of fine art. The price includes pick up, professional packaging/crating, insurance for the actual sale price, and delivery to your door. Check out my other items! WE SHIP WORLDWIDE!! Payment: PayPal, Visa, MasterCard, American Express, Discover accepted. *** For Colorado residents: When shipping to an address in CO the applicable tax will be added to your total. ***See Our Other Ebay Auction to get FREE SHIPPING and Extra DISCOUNT on some of the items !*** 50 Mixed Medias and Graphics by Sandell In Our Store SCOTT SANDELL These latest works from the printmaker-painter Scott Sandell reflect a subtle shift in his way of looking at the natural world. Those familiar with the earlier concerns of this highly individual American artist will find his distinctive motifs and fascinations here (as well as his care for the integrity of the printed surface), but Sandell's gaze has now gone beyond the forms of nature to the elemental energies that animate nature as a whole. He has turned his eye upon light, wind, waves and gravity -- the primal forces that carve and delineate the raw matter of the universe. Sandell's palette is the solar spectrum refracted through atmosphere and sea, or refined into the synthesized brilliance of the modern city. In juxtaposing the black elegance of machine-generated type with the muted colors of granulated bone and shell, he suggests the real range of "earth tones" in a world that is both ancient and new. The adaptive blues and reds of the tropical reef are duplicated in the modern world by new printing processes and materials. It is the paradoxical play between these two creative forces -- the human and the natural -- that Sandell addresses in his unique use of color and form. Like nature itself, the artist in his studio never creates something from nothing, but rather makes something from something else. It is here in this "recombining" of elements that Sandell draws attention to the parallel between natural and mechanical means of reproduction. In "Over The Falls," a print that refines the themes of his earlier work into a single visual haiku, Sandell contrasts two of his favorite pattern motifs: a simple sprig impressed woodcut-style beside blocks or Japanese characters selected for their beauty as pure form. Reflecting both cultural and natural invention, the repeated leaf and the printed verbal symbols become ideographs in a visual koan, a riddle that explores the tension between these two inventive forces without resolving it. The technical challenge for Sandell is to balance these contrasts, one of which is the simple power of color opposed to the complex method of realizing it on the print. As always, Sandell has imbued these works with a degree of craftsmanship that extends beyond the image to the choice of handmade papers, inks, varnishes and overlay techniques. His latest print editions, for example, involve eight or nine colors applied in various steps to a sheet of handmade Okawara paper, with a large sheet of arches paper serving as a field. Sandell often individualizes a print with painted brush strokes or primitive forms of photography, a technique in which raw light is used to trace the shadow-like image of an object upon the print's surface. These methods are all part of what Sandell calls "third-generation abstract expressionism," the term he uses to describe his own place among American artists today. Sandell acknowledges his debt to earlier painters and printmakers who have worked in the abstract-expressionist tradition, while distancing himself from the figurative-narrative trend that preoccupies many of his contemporaries. Sandell says there is still much to accomplish with the primal elements of visual art -- pure form and color. In his latest works, he masterfully uses these irreducible elements to portray the equally irreducible forces of light and energy without which there could be no stories, no figures and no landscapes. Monoprinting is a form of printmaking that has images or lines that cannot exactly be reproduced. There are many techniques of mono printing, including collage, hand-painted additions, and a form of tracing by which thick ink is laid down on a table, paper is placed on top and is then drawn on, transferring the ink onto the paper. Monoprints can also be made by altering the type, color, and pressure of the ink used to create different prints. Examples of standard printmaking techniques which can be used to make monoprints include lithography, woodcut, and etching. The difference between monoprinting and monotyping is that monoprinting has a matrix that can be reused, but not to produce an identical result. With monotyping there are no permanent marks on the matrix, and at most two impression (copies) can be obtained. Monoprints are known as the most painterly method among the printmaking techniques, a monoprint is often regarded as a non-editionable kind of print and is essentially a printed painting. The characteristic of this method is that no two prints are alike. The beauty of this media is also in its spontaneity and its combination of printmaking, painting and drawing mediums. Email us for detailed condition or more photos - see our "ME" page. Questions? Contact us through our About Me page. Add a map to your own listings. FREE Trial !

Price: 415 USD

Location: Aurora, Colorado

End Time: 2025-01-09T21:47:46.000Z

Shipping Cost: 14 USD