Original 1800s TOUSSAINT SIGNED Etching "St. Etienne-du-Mont, Paris" FRAMED COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Charles Henri Toussaint (French, 1849-1911) Title: The Screen of St. Etienne-du-Mont, at Paris Medium: Original etching on laid paper. Year: 1881 Signature: Signed in the Plate lower right. Condition: ExcellentDimensions: Image Size 7 3/4 x 9 3/4 inches. Framed dimensions: Approximately 17 x 19 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes:This is not a modern print. This is an original Charles Henri Toussaint etching it was hand pulled from the copper plate more than 135 years ago. The strike is crisp and the lines are sharp. Extra Information:Nevile's Saint-Étienne-du-Mont is a church in Paris, France, located on the Montagne Sainte-Geneviève in the 5th arrondissement, near the Panthéon. It contains the shrine of St. Geneviève, the patron saint of Paris. The church also contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery. The sculpted tympanum, The Stoning of Saint Stephen, is the work of French sculptor Gabriel-Jules Thomas. Renowned organist, composer, and improviser Maurice Duruflé held the post of Titular Organist at Saint-Étienne-du-Mont from 1929 until his death in 1986. The church of Saint-Etienne-du-Mont originated in the abbey of Sainte-Genevieve, where the eponymous saint had been buried in the 6th century. Devoted to the Virgin Mary, then to St. John the Apostle, the place was too small to accommodate all the faithful. In 1222, Pope Honorius III authorized the establishment of an autonomous church, which was devoted this time to St Etienne, then the patron saint of the old cathedral of Paris. The rood loft viewed from the south-west. Soon, the new building was overwhelmed by an increasingly dense population: the Sorbonne and many colleges were located on the territory of the parish. It was enlarged in 1328, but a complete reconstruction became necessary from the 15th century. In 1492, the Génovéfain monks donated a portion of their land for the construction of the new church. This involved several steps. Under the direction of architect Stephen Viguier, the apse and the bell tower was sketched in 1494, the first two bells were cast in 1500. The choir of flamboyant Gothic, was completed in 1537 and the following year, it was the turn of the frame to be raised. The loft was built around 1530-1535. In 1541, Guy, Bishop of Megara, blessed the altars of the chapels of the apse. The same year, the parish awarded contracts for the windows and statues from Parisian artisans. The nave, from the Renaissance period, was not hunched before 1584. The first stone of the facade was laid in 1610 by Marguerite de Valois, who had agreed to do so in a personal donation of 3000 pounds. The church was dedicated on 25 February 1626 by Jean-François de Gondi, first archbishop of Paris, Cardinal de Retz's uncle. Nevertheless, developments continued: in 1636, the organ was installed, the work of Pierre Pescheur. In 1651, a new pulpit was installed. It was also adjusted for the local wardens and housing for the priests. During the 17th and 18th century, the church of Saint-Etienne-du-Mont enjoyed great prestige. It was the scene of great processions where the shrine of Sainte-Genevieve went to Notre Dame and subsequently returned to his church. It also housed the remains of Pierre Perrault, the painter Eustache Le Sueur and Blaise Pascal. Those of Racine and Isaac de Sacy Lemaistre were also transferred in 1711 from Port-Royal in Saint-Etienne. The nave, showing the rood screen, pulpit and ceiling details The organ During the French Revolution, the church was first closed and then turned into a "Temple of Filial Piety." Catholic worship was restored in 1801, benefiting from the Concordat. The following year, the demolition of the abbey church of Sainte-Genevieve Abbey and the breakthrough Street Clovis made St. Stephen an independent building. Under the Second Empire, the church was restored by Victor Baltard: the front was raised and the statues destroyed by the revolutionaries, were returned. Baltard also built the chapel of catechisms. The 19th century was marked by many events. On 10 January 1805 Pope Pius VII celebrated Mass in the church. In 1833, Frederic Ozanam, a parishioner of St. Stephen, founded with friends the Society of St. Vincent de Paul. On 3 January 1857 Bishop Marie-Dominique-Auguste Sibour, was assassinated with cries of "Down with the goddesses!" by the priest Jean-Louis Verger, opposed to the dogma of the Immaculate Conception. A plaque at the entrance to the nave marks the grave of the prelate, who was to inaugurate the novena of St. Genevieve. The occultist Eliphas Levi was indirectly involved in this tragic event. On 23 August 1997 Pope John Paul II celebrated Mass there during the visit to Paris on the occasion of World Youth Day. Today the church is characterized by its curved axis of the nave to the transept, the rood screen (the sole surviving example in Paris) of finely carved stone by Father Biard (1545), his chair designed by Laurent de La Hyre and sculpted by Claude Lestocart and its organ case (1631) (the oldest in the capital). The church also contains the shrine containing the relics of St. Genevieve until 1793 (when they were thrown in the sewer), the tomb of Blaise de Vigenere, of Blaise Pascal, of Racine, and Mg Sibour. Huysmans described it in the Connecting (1895) as one of the most beautiful churches in Paris. Artist Biography:Charles Henri Toussaint (French, 1849-1911) was a painter , illustrator and engraver . He is the father of the painter and illustrator Maurice Toussaint (1882-1974). Charles Henri Toussaint was a pupil of Léon Gaucherel , Brunet-Debaines, and C. Waltner. He pointed at the Paris Salon in 1874 and was rewarded in 1876, 1884, 1899 and 1900. He married Louise Bédelet, daughter of the publisher and Parisian bookseller Amadeus Bédelet . He is known for his many prints contained the architecture of Paris and provincial cities ( Amiens, Rouen, Reims,... ). He also wrote beautiful studies of Oxford , Cambridge and Liverpool in particular. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 244 USD

Location: Cape Coral, Florida

End Time: 2025-01-20T01:20:06.000Z

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