JERRY LEE LEWIS AUTOGRAPHED PERFORMING CONTRACT 1968”GREAT BALLS OF FIRE”COA JSA

Description: This 8.5" x 11" Performance Contract has been personally signed by Jerry Lee Lewis. The contract is accompanied by a full Letter of Authenticity from Beckett Authentication Services. James Spence Authentication (JSA) sticker on the back of the document can also be used online to further verify authenticity. JERRY LEE LEWIS AUTOGRAPHED PERFORMING CONTRACT FROM 1968 ROCK & ROLL HOFER FAMOUS FOR SONGS LIKE “GREAT BALLS OF FIRE” COA JSA & BECKETT Lewis made his first recordings in 1952 at Cosimo Matassa's J&M Studio in New Orleans, Louisiana. He covered Lefty Frizzell's "Don't Stay Away (Till Love Grows Cold)" and his own instrumental composition "Jerry's Boogie" (AKA New Orleans Boogie). In November 1956, Lewis traveled to Memphis, Tennessee, to audition for Sun Records. Label owner Sam Phillips was in Florida, but producer and engineer Jack Clement recorded Lewis's rendition of Ray Price's "Crazy Arms" and his own composition "End of the Road". In December 1956, Lewis began recording prolifically as a solo artist and as a session musician for other Sun artists, including Carl Perkins and Johnny Cash. His distinctive piano playing can be heard on many tracks recorded at Sun in late 1956 and early 1957, including Carl Perkins's "Matchbox", "Your True Love", and "Put Your Cat Clothes On" and Billy Lee Riley's "Flyin' Saucers Rock'n'Roll". On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. Johnny Cash was also there watching Perkins. The four then started an impromptu jam session and Phillips left the tape running.[17] These recordings, almost half of which were gospel songs, were released on CD as Million Dollar Quartet. Tracks also include Elvis Presley's "Don't Be Cruel" and "Paralyzed", Chuck Berry's "Brown Eyed Handsome Man", and Pat Boone's "Don't Forbid Me". Lewis's own singles (on which he was billed as "Jerry Lee Lewis And His Pumping Piano") advanced his career as a soloist during 1957, with hits such as "Whole Lotta Shakin' Goin' On", a Big Maybelle cover, and "Great Balls of Fire", his biggest hit, bringing him international fame and criticism of the songs, which prompted some radio stations to boycott them. In 2005, "Whole Lotta Shakin' Goin' On" was selected for permanent preservation in the National Recording Registry of the Library of Congress. According to several first-hand sources, including Johnny Cash, Lewis, a devout Christian, was troubled by the sinful nature of his own material, which he believed was leading him and his audience to Hell.[18] This aspect of Lewis's character was depicted in Waylon Payne's portrayal of Lewis in the 2005 film Walk the Line, based on Cash's autobiographies. As part of his stage act, Lewis pounded the keys with his heel, kicked the piano bench aside and played standing, raking his hands up and down the keys, sat on the keyboard and stood on the piano. He told the Pop Chronicles that kicking over the bench originally happened by accident, but when it got a favorable response, he kept it in the act.[17] His inaugural television appearance, in which he demonstrated some of these moves, was on The Steve Allen Show on July 28, 1957, where he played "Whole Lotta Shakin' Goin On".[19][20] His dynamic performance style can be seen in films such as High School Confidential (he sang the title song from the back of a flatbed truck), and Jamboree. Cub Koda called him "rock & roll's first great wild man" and also "rock & roll's first great eclectic".[21] Classical composer Michael Nyman has also cited Lewis's style as the progenitor of his own aesthetic.[22] In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis,[23] abandoning the old Union Avenue studio where Phillips had recorded B.B. King, Howlin' Wolf, Elvis Presley, Roy Orbison, Carl Perkins, Lewis, Johnny Cash, and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles's "What'd I Say" in 1961. In Europe, other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly, Miss Molly" (March 1963) entered the hit parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money", and "Hello Josephine" also became turntable hits, especially in nascent discothèques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra's "In the Mood" was issued on the Phillips International label under the pseudonym "The Hawk".

Price: 750 USD

Location: Henderson, Nevada

End Time: 2024-12-14T21:53:28.000Z

Shipping Cost: 9.95 USD