Description: Belonging and Betrayal How Jews Made the Art World Modern by Charles Dellheim "This book aims to restore and recreate the life, work, and milieu of certain Jews who became arbiters of taste. Exploring how, against the odds, outsiders on the margins of European high culture, suddenly became the Old Masters new masters and the modernists champions"-- FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description The story of dealers of Old Masters, champions of modern art, and victims of Nazi plunder. Since the late-1990s, the fate of Nazi stolen art has become a cause célèbre. In Belonging and Betrayal, Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place – and what this reveals about Jews, art and modernity. This book tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe to the United States and in the triumph of modern art. Beautifully written and compellingly told, this story takes place on both sides of the Atlantic from the late nineteenth century to the present. It is set against the backdrop of critical transformations, among them the gradual opening of European high culture, the ambiguities of Jewish acculturation, the massive sell-off of aristocratic family art collections, the emergence of different schools of modern art, the cultural impact of World War I, and the Nazi war against the Jews. Author Biography Charles Dellheim is professor of history at Boston University. He is the author of The Face of the Past: The Preservation of the Medieval Inheritance in Victorian England and The Disenchanted Isle: Mrs. Thatchers Capitalist Revolution. Table of Contents AcknowledgmentsPrologue: Reframing the PicturePart I. The Old Masters New Masters1. Horse Dealer to Art Dealer2. Treasure Island3. Assimilating Art4. Acquiring Eyes5. Metropolitan ManPart II. Was Modernism Jewish?6. Madman and Sons7. Was Modernism Jewish?8. First Impressionists9. Berlin Calling10. Between Bohemian and Bourgeois11. The Right BankerPart III. In The Middle12. The Wheel of War13. Brothers-in-Arms14. Custody Battles15. In the Market of Love16. Brothers-in-Law17. Gentlemen and PlayersPart IV. To Have And Have Not18. Artful Jews19. Artless Jews20. Next Year in Paris?21. After the Fall22. The Dispossessed23. The Exiles and the KingdomEpilogue: A Crack in Everything Review "(An) exceptional work of scholarship. A brilliant account of Nazi pillage and the ongoing efforts at restitution." * Kirkus (starred review) *"A hefty, deeply researched book . . . A compelling portrait of the Jewish families who, unexpectedly, became arbiters of taste in Europe, beginning in the late 19th century and ending with Nazi plunder. Read if youre into: thinking about art history, Jewish history and where they intersect." * Alma *"Readers of Dellheims book will learn more about the history of modern art and European cultural history during times of upheaval and turmoil. Those who enjoy history and art history will enjoy this deep dive." * Library Journal *"In the book, Dellheim writes about dealers of Old Masters, champions of modern art, and victims of Nazi plunder, sharing the epic fortunes and misfortunes of those eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe and Britain to the United States." * Arts and Collections *"A comprehensive tale of the artwork that appeared throughout Europe and then was absconded with in one of the largest heists ever. The various characters featured in this fascinating account hustle, sell and backstab." * Manhattan Book Review *"With its twists and turns, Dellheims book reads like a Realist novel. Despite the seriousness of its subject matter, it is a thrilling read, divided into wittily titled sections… The book is a veritable tour de force and an outstanding addition to scholarly research on art, Modernism, and Jewish studies." * Hyperallergic *"Belonging and Betrayal seeks to explain how Jews found significant, if precarious, success in the European art world... [It] reveals the complex negotiations, spoken and unspoken, that structured social, economic, and political life for Jews in late nineteenth- and early twentieth-century western Europe." * ARTNews *"Dellheims 600-plus-page tour de force [is] well-illustrated with paintings that its cast of characters collected and sold... [and] primary sources that reveal the extent of Nazi looting..." * JewishBoston *"a wonderful achievement, beautifully written, a magnificent work of art in itself, a fabulous book." * LitHubs Keen On *"Highly recommended. This well-researched volume, with copious notes, two sections of color plates, and interspersed black-and-white figures, will interest those studying art history, provenance research, art markets, museums and repatriation, cultural studies, and Jewish studies." * Choice *"European Jews on a fairly considerable scale drifted into the visual arts world as collectors and dealers in the 19th century and became, against all odds, arbiters of taste. Once regarded as outsiders on the margins of high culture, they were suddenly thrust into positions of prestige and influence. Charles Dellheim, a professor of history at Boston University, charts their entry into this field in his masterful and magisterial book, Belonging and Betrayal: How Jews Made The Art World Modern, published by Brandeis University Press....Dellheim has written a highly readable, substantive and engaging account of the entry of Jews into art. It may well be the definitive work on this topic." * Times of Israel *"Dellheims rich, deeply engaging, compulsively readable study .... combines business history, social history, and cultural and intellectual history, offers a fresh and exciting approach to ethnic studies that moves far beyond the three dominant paradigms... .If we are to truly understand the history and nature of group prejudices, the structural and systematic barriers to success, and collective strategies for economic advancement and civil rights, lets resist the temptation, at the gen ed level, to relegate the study of ethnicity to distinct enclaves. Inclusive, comparative, and historical perspective are essential." * Inside Higher Ed *"Belonging and Betrayal is a brilliantly etched portrayal of the family firms that maneuvered, battled, adapted, persevered, and prospered over decades and centuries. What underlies all of Charles Dellheims painstaking research lies a loving devotion to the subject matter. That means, above all, that his discussion of cultural and aesthetic matters rests on a bedrock of economic and business history. The element so often missing from studies of Jewish participation in Western culture here properly takes center stage. In this masterwork, Dellheim shows how to understand the business of culture." * Jewish Review of Books *"Dellheims book is the first to present a collective portrait of the businessmen – and occasionally businesswomen, like Berthe Weill – who thrived in fashionable and avant-garde circles. ...This is a huge work of historical synthesis, which manages to weave together an enormous cast of characters and locations with flair and sympathy." * Ars Judaica *"This is a book that seeks and deserves a large audience. It has met enthusiasm across the art press and Jewish press in the English-speaking world, but it merits a broader readership. Those interested in modern European cultural or business history, art history, or Jewish studies—but also a general readership—will find the narrative compelling to follow. . . . In short, this history of Jewish involvement and achievement in the art world is history writ large and springs from the authors often intimate grasp of the professional and private lives and efforts of the progressive dealers and collectors, reanimated here by one of the history professions master storytellers." * Austrian History Yearbook *"A master storyteller, Dellheim relates the microhistory of several families before, during, and after the two world wars. In so doing, he brings to the fore a more general and timely issue: the aspiration of urban minority groups to belong to a given society, and the fragility of the social contracts they develop." * Studies in Contemporary Jewry *"This is a magisterial book. Wide-ranging yet closely focused, detailed yet suspenseful, it should be required reading for all who make art or collect it. Gracefully written and sumptuously illustrated throughout, Belonging and Betrayal is an important--even indispensable--contribution to the field." -- Nicholas Delbanco, author of Why Writing Matters"A major contribution to understanding a profound Jewish goal to belong and succeed, only to be betrayed by willful acts by Nazis and their collaborators. This impressive book will engage you, surprise you, anger you, and above all, enrich you." -- Richard I. Cohen, The Hebrew University of Jerusalem, author, Jewish Icons"Brilliantly evocative and deeply researched, Charles Dellheims Belonging and Betrayal is a superb addition to the ongoing discussion on art ownership, theft, and restoration." -- David H. Lynn, editor emeritus of The Kenyon ReviewFinalist, 2021 National Jewish Book Award -- Finalist * National Jewish Book Award, History Category * Review Quote "With its twists and turns, Dellheims book reads like a Realist novel. Despite the seriousness of its subject matter, it is a thrilling read, divided into wittily titled sections... The book is a veritable tour de force and an outstanding addition to scholarly research on art, Modernism, and Jewish studies." Excerpt from Book During and after the Nazi era, ignorant or unscrupulous individuals, institutions, and governments acquired despoiled works of art. it evidently was difficult for dealers, collectors, museums, and European states to resist the sudden availability of a bonanza of old and modern masterpieces. if some knew or suspected that gaps in wartime provenance signaled that they might be buying looted objects, others had little or no idea that there was anything wrong with their purchases. The fate of pillaged Nazi art has become a cause c Details ISBN1684580560 Author Charles Dellheim Short Title Belonging and Betrayal Language English Year 2021 ISBN-10 1684580560 ISBN-13 9781684580569 Format Hardcover Subtitle How Jews Made the Art World Modern Pages 672 Imprint Brandeis University Press Place of Publication Hanover Country of Publication United States Publication Date 2021-09-21 UK Release Date 2021-09-21 NZ Release Date 2021-09-21 US Release Date 2021-09-21 Publisher Brandeis University Press DEWEY 709.4 Audience Professional & Vocational AU Release Date 2021-09-20 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:134320674;
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ISBN-13: 9781684580569
Book Title: Belonging and Betrayal How Jews Made the Art World Modern
Item Height: 260 mm
Item Width: 179 mm
Author: Charles Dellheim
Publication Name: Belonging and Betrayal-How Jews Made the Art World Modern
Format: Hardcover
Language: English
Publisher: Brandeis University Press
Subject: History
Publication Year: 2021
Type: Textbook
Item Weight: 1418 g
Number of Pages: 672 Pages