ACB Mouthpiece Sale - ACB 1.25C in Silver Plate!

Description: The 1.25C: This is a take on a great 1 1/4C mouthpiece with some refinements in bore, backbore, and throat. To me it feels more like a 1.5C due to the great efficiency. A1 backbore, .672" ID, 7 relative depth In stock in the standard blank. Other ACB blanks are made as a custom order and might not always be in stock. Please review the comparison sheet for size equivalencies. Please note that almost every manufacturer measures in slightly different places so the comparison information below is for broad comparisons only. All custom orders run 3-8 weeks from payment and must be paid in full before the order is made. Please review our shipping and return policy below. Please note there are no returns on custom orders, Gold plating is considered a custom order. Papa BearOO1.0700.684Deep Bowl8.5Laskey 84D, Warbuton 2DBaby BearO1.0700.684Deep Bowl8.5Laskey 84D, Warbuton 2DBee BearO1.0700.684Medium B Bowl7Laskey 84B, Warbuton 2MDCee BearA11.0700.684Medium C Bowl6Laskey 84C, Warbuton 2MC1DA11.1500.684Deep Bowl9Hickman GW, Bach 1X, Monette B1-11MDA11.1500.684Medium deep Bowl7.5Hickman GW, Bach 1X, Monette B1-1New York 1O1.0600.677Deep Bowl830's Bach NY1, Current 11CWEA11.1000.670Modified B Bowl7None1BO1.0800.676Deep B Bowl81B, Laskey 80B1CMO1.0790.674Medium C Bowl7.5Haefer 1HC, Bach 1C1.25 OrchMO1.0700.672Medium C Bowl7Yamaha 16C4, Schilke 16C4MV 1.25CO1.0700.673Modified BC Bowl7Bach Mount Vernon 1 1/4C1.25CBA11.0700.672Modified B Bowl7.25Curry 1.25BC, Bach 1 1/4C1.25CA11.0700.672Medium Deep C Bowl7Bach 1/4 C, Tilz 1 1/4CE, Monette B21.25CSMO1.0680.671Medium C Bowl6Monette B2S3, ACB 1.25C, MV 1 1/4C1.25CDSS1.0680.671Medium Shallow Bowl5Monette B2LD1.5BA11.0980.669Deep B Bowl7.5Tilze 1 1/2E, Bach 1 1/2B, Monette B31.5CBMO1.0680.668Modified B Bowl7.25Curry 1.5BC, Warbuton 3MD, Bach 1.5C, Monette B31.5CS1.0660.668Medium C Bowl6Curry 1.5C, Warbuton 3MC, Bach 1.5C, Monette B3, GR 671.5RMO1.070.667Modified D/V Bowl5.5Monette B3L, Bach 1.5D665 MCS1.0670.665Modified C/V Shape6.5Mount Vernon 3C, GR 66.5, Monette B3MV 3B A11.0720.664Modified BV Bowl8Mount Vernon 3B, BH3, Monette B4MV 3CBA11.0720.664Modified B Bowl7.5Bach Mt. Vernon 3C, Monette B4MV 3CMO1.0720.664Medium Deep C Bowl7 Bach Mt. Vernon 3C, Monette B4S MV3CS MV 3L MO S 1.072 1.072 0.664 0.664 Modified C Bowl Medium Shallow Bowl 5.75 5 Bach Mt. Vernon 3C, Monette B4S Bach Mt. Vernon 3D, Monette B4L2BA11.0650.660Medium Deep Bowl7NoneMVO1.0650.656Medium C Bowl6Bach 2 1/2C3SMT1.0660.656Shallow Bowl4Bach 3D/E, Curry 3DE., Monette B5L3MO1.0630.654Deep Bowl8Old Bach 33BA11.0720.653Medium B Bowl7Bach 3B, Monette B53CS1.0720.653Medium C Bowl6Bach 3, Warbuton 4MC, Schilke 14B3CSS1.0660.650Modified C Bowl5.5Monette B6s1, GR 65M, Pickett 5D3DSS1.0660.650Medium Shallow Bowl4.5Monette BLM, GR 65M/S, Pickett 5D3ESA21.0660.650Shallow Bowl4Monette BL, GR 65S, Pickett 5E5BMO1.0680.644Medium B Bowl7.5NY Bach 5B, Pickett 5B, GR 74.7 MX5CS1.0680.644Medium C Bowl6Bach 5B, Pickett 5C, Curry 5C, Monette B65CSS1.0680.644Modified C Bowl5.5Above but more efficient cup7MMO1.0590.642Medium Shallow V5Giardinelli 7M, Bach 7D, Monette B77PTS1.0590.640Shallow Bowl4.5Bach 7E, GR 64S, Giardinelli 7S7DEMO1.0590.642Shallow Bowl4Bach 7E, GR 64S, Giardinelli 7S7MO1.0590.637Deep Bowl8NY Bach 77BA11.0420.637Medium Deep Bowl7NY Bach 7B10CVMT1.0580.630Medium V5Giardinelli 10M, M Shew 210.5CS1.0580.629Medium C Bowl6NY Bach 10 1/2CLead 1A21.0600.627Very Shallow Bowl3Shew Yamaha Lead, M Shew 1, Giardinelli 10SLead 1.25A21.0580.627Shallow Bowl4Shew Yamaha Lead, M Shew 1, Giardinelli 10SLead 1.5A21.0800.666Very Shallow Bowl3Schilke 14a4a (was 666 model)TA1MO1.0840.639Modified V Cup6NoneTA2MT1.0650.664Medium Shallow Bowl4.5Monette B4L, Bach MV 3DTA-LeadT1.0520.630Medium Shallow Bowl4.5M. Shew 1.75TAZA11.0760.625Shallow Bowl4NoneTAZ-CSA11.0760.625Medium C Bowl5.5Deepened version of Ta-ZTA-ScreechA21.0800.618Extremely Shallow Bowl2NoneTA-SNA21.0680.617Shallow Bowl3TA-Screech with Narrow RimH2 VintageMO1.0450.637Medium Deep V7.5Vintage Gustat HeimH3MO1.0450.637Medium Deep V7.5Vintage Gustat Heim1-27 RetroMT1.1040.628Medium Shallow Bowl4Al-Cass 1-27 Larger Sized ACB mouthpieces (.674+) : Papa Bear: This mpc is not for the faint of heart. It is an extremely large mouthpiece (.684) which puts it around old Bach 1 diameter. The cup is a large bowl, throat #20 and a custom backbore to pair with this piece for the most efficiency while maintaining a HUGE sound. Bee Bear: Similar to the Papa this mouthpiece has a medium large, b-shaped bowl, and slightly smaller backbore. New York 1: This originally started out as a CMM scan of a very early New York Bach 1 mouthpiece. The cup and rim are very similar, the backbore and throat are mated with this cup to produce a very large sound shape. A great orchestral mouthpiece!1C: This is my take on an older Bach 1C but improved throat and backbore combo. It feels significantly more efficient and sounds more energized while maintaining a rich core throughout the registers. Standard 24 and my 10/24 combo backbore are on this piece. Smaller Symphonic sized mouthpieces (.668-674):1.25 CB: This has a classic Mt. Vernon 1 1/4C rim that's blended in the CAD program with a great old Bach 5B cup. The result is an incredibly rich sounding mouthpiece without losing efficiency or having the turbulent points caused by a traditional "screw-rim" setup. 1.25C: This is a take on a great 1 1/4C mouthpiece with some refinements in bore, backbore, and throat. To me it feels more like a 1.5C due to the great efficiency. 1 1/2B: This is a great sounding orchestral piece. While not as wide as the PAPA (the diameter is like a modern 1 1/2) the rim is comfy and forgiving. The cup bowl is reminiscent of some rotary trumpet mouthpieces. I've always loved those pieces except the backbores and end shanks are really not made for conventional piston trumpets. My pieces are and still work really well in rotary trumpets! 1 1/2C: This is one of my best-selling mouthpieces and extremely comfortable compared to other manufacturer's "cookie cutter" rim contoured 1 1/2's1.5 CB: Similar to the 1.25 CB with my ACB 1 1/2C rim Classic "MV" diameter sized pieces: MV 1 1/4C: This is my modernized take on this classic mouthpiece. I match this piece with my O backbone and a slightly enlarged throat and throat entrance. It plays incredibly well and also has a very "classic" sound!MV 3C: Our most popular mpc! I am now offering this custom mouthpiece in my line for a lot of reasons but mostly because it sounds so great! It is a bit bigger all-around than the traditional 3C. For me it feels a smidge smaller than a 1 1/2C. I also put my MO backbore (smaller symphonic shaped) and a #26 throat in this piece. The sound shape is tremendous and rich.MV3CS: MV3C rim with my CS cup -- it's slightly smaller and also has a much more efficient entrance into the throat. It helps the articulation and adds a lively "zip" to the sound. It is especially good on vintage trumpets or overly dark horns to make them "speak." Paired with the MO backbore for a balanced blow. Medium sized Standard series Mouthpieces (.630-656)3: My take on a classic 1928 piece. I tweaked a bunch inside this mouthpiece and while it still retains the core sound the piece plays considerably more efficiently and consistently in all the registers.3B: Same rim as on my 3C but with a medium deep B-shaped bowl. It's one of my most popular mouthpieces and has an incredibly warm tone3C: A take on a fantastic Bach (from the late 60's) 3C which I have never played a 3C like it. I think the added mass and proper matching backbore for this piece make this a formidable all-around mouthpiece!3CS: Similar to the 3C except it's slightly smaller and also has a much more efficient entrance into the throat. It helps the articulation and adds a lively "zip" to the sound. It is especially good on vintage trumpets or overly dark horns to make them "speak".5B: My modernized take on one of the finest mouthpieces ever made, the NY 5B. I've made the piece much more efficient than the vintage counterpart and also maintained the great sound shape and spread. It's one of my most popular sizes.5C: Long considered a transitional mouthpiece for the student I've spent a bunch on time on this piece as most of my earlier prototypes didn't make the cut. This has an incredibly rich tone with fantastic articulations and ease in all registers. It's a great, comfy mouthpiece! Smaller diameter Standard Series Mouthpieces:10 1/2C: While this is a fairly small diameter mpc it produces a big tone and Fine high register, resonating low register. I started with this piece thinking it would a piece I'd start students on and find it very good for all players, especially those with very thin lips and ones who want a bit more corner support.10CV: Another new addition to the line, this piece was made for folks who want a compact efficient commercial mouthpiece who "bottom-out" on smaller pieces. This rim is very similar to an older Giardinelli 10 and the cup a medium shallow hybrid v/bowl shape. The result is a very good all-around show and commercial piece. It's also an excellent choice for jazz soloists looking for a piece for extended solo work. 1-27: Now available is my take on a fantastic vintage piece, the 1-27. It's cup and rim are loosely based off the Al cass mouthpiece. I then used a slightly more aggressive entrance into the bowl of the mouthpiece and also a tighter backbore to make the piece zip even more. The rim diameter is around a 7C but the rim itself is round and comfortable. The cup volume is less than a 7C for sure. It has a lot more efficiency and sparkle to the sound.Lead 1.25: I've always loved the cup of the Shew 1.25 and have used this piece for many years. I have personally felt the piece's weight, straight throat, and backbore could be improved for my own use and have designed a piece to make the piece more forgiving (especially in this blank) and gained more core in the overall sound shape. It's a weapon for the commercial player! TA Series (designed for my own personal playing needs)TA1: Based on my hero Clark Terry's Heim! I modified the rim and cup to make it more accessible to today’s modern player. Clark’s original rim design was VERY flat… this one is still flat but not nearly as pronounced as the original. The diameter of the piece has also been increased as I felt the original was a tiny bit small for my taste. The cup entrance to the throat has also been blended a bit more to make the balance between cup and bore much more efficient. I’ve also made this model with a slightly bigger backbore to help today’s player (who in general prefer slightly more open backbores to the vintage lines).TA2: It has a cup design which while being fairly shallow bowl shaped has an efficient entrance into the bottom of the cup to make it very efficient without brittle. The rim is semi-flat with good support and is close to a "3-ish" diameter (.664). The TA1 is still my primary piece and I find it fantastic for everything but lead and show playing. That's where the TA2 comes in for me. It feels like a great show piece. I just did a gig on it playing 3 horn Sinatra arrangements and it was great to solo on and then sizzles above high C without getting smaller in sound shape. Ta-Lead: This is a model I've created for my own lead use. This rim is extremely comfortable, similar to an old Giardinelli 10S but rounder and forgiving. The cup depth is shallow enough for great compression yet produces an incredibly rich tone in all registers. Standard 28 throat and my T backbore round out this model. It's a great lead mouthpiece for people who tend to "Bottom out" on small cups.Ta-Screech: A new take on a classic piece... this is a very small, high compression mouthpiece that is surprisingly easy to play. 30 throat and "zip" backbore produces one of the most efficient pieces I've ever played! TA-Z: The TA-Z (or "Zing") might be one of the most comfortable commercial mouthpieces I've designed that can still maintain a beautiful sound from Pedal C to Double C and above. It features a .625 diameter with a medium flat rim and shallow hybrid V/S cup. Here is a list of our backbores in order of tightest to most open: A2: The A2 is a weapon! Designed to be mated with extreme compression mouthpieces, this might be the ultimate commercial backboreI've played. It works great above high C and mates with 27, and 28 tops extremely well! T: Tight: commercial backbore which provides the most resistance and "zing" to your sound MT: Medium Tight: Provides great resistance, especially for players who tend to "back-up" with very tight commercial backbores. S: Standard: Provides the best balance between resistance and sound spread for most players. MO: Medium Open: A great slightly open symphonic shape produces a rich, warm tone but still gives ample resistance when needed. A1: This backbore is a very large, symphonic backbore that is in between the MO and O but feels like it combines both feel and sound shapes from the two other shapes. It's a wonderful backbore suited for the classical player or jazz soloist wishing for a large sound! O: Open: This is a very large, open backbore designed for the orchestral musician to provide the feel and sound spread that most orchestral players prefer OO: Very Open: Huge backbore for enormous, rich sound (takes a lot of air) Please check out our you tube page for videos with sound comparisons of the different models. Email mpcsales (at) austincustombrass DOT com with questions! Please check out all of our other auctions on eBay! Read below for my shop terms (prior to bidding please) ACB eBay outlet store terms Terms: Thanks in advance for taking the time to read all of our terms prior to bidding. Standard shipping in the lower 48 U.S. will be $10. Insurance covering the winning bid amount or purchase price is included with our shipping price unless the sales price is over $2,000. The client will be responsible for shipping insurance on any truly high-value item. We gladly accept international bidders, but please contact us to verify the cost of shipping internationally before bidding. International Shipping costs will vary. ACB has put a flat rate fee and if the charges go grossly over that figure the buyer is responsible for the excess charge. We will not be responsible for any shipping discrepancies if we have not been contacted prior to bidding. We accept: PayPal and all Major Credit Cards. We properly package all of our merchandise for safe shipping. In the event your item arrived damaged during shipping, we ask that you contact us immediately so we can file a claim with our shipping provider. Domestic sales policy: All eBay sales are non-returnable. Unless an item is grossly misrepresented, we reserve the right to implement a restocking fee on all returned merchandise. Original shipping and insurance costs are not refundable on returned merchandise. Any returned merchandise is required to be returned directly to our Malden, MA shop at the winning bidder's expense. Any returned merchandise is to be returned in the same condition as it was sent to the winning bidder. If items are returned to us damaged, the winning bidder will be responsible for covering any costs of repair. It is your responsibility to file a claim with the company you've decided to ship with for reimbursement. International sales policy: All International sales are final. Austin Custom Brass is very happy and willing to ship online throughout the world but due to the nature of customs and the times involved we cannot accept any international returns. Once it leaves the ACB store we cannot guarantee ship times. If you want truly guaranteed times we could ship via FEDEX international at the buyer's expense. Please view the auction in depth and the shop terms to address any concerns prior to bidding. 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Price: 135 USD

Location: Kansas City, Missouri

End Time: 2025-01-15T22:10:44.000Z

Shipping Cost: 4 USD