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1912 EDMOND CLEMENT Marcel JOURNET Robert Le DIABLE DU RENDEZVOUS / Le Bonheur

Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great French and Canadian Quebecois records from early G&T Music Hall to famous Chansons and Movie Stars on 78 rpm Victrola Records Click this link for more French and Quebecois Records in my other listings! Click this link for more great Opera and Vocal Records in my other listings! Famed French Lyric Tenor Edmond Clement and bass Marcel Journet Meyerbeer's Opera ROBERT LE DIABLE: a superb dramatic scene, Journet sings with some nice bass "coloratura" VB30 Robert le Diable (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Du rendez-vousClément, Edmond - tenor Journet, Marcel - bass OrchestraC -11468- 1 18-Jan-12 CamdenVB30 Robert le Diable (Eugène Scribe; Germain Delavigne; Giacomo Meyerbeer): Le bonheur est dans l'inconstanceClément, Edmond - tenor Journet, Marcel - bass OrchestraC -11469- 1 18-Jan-12 Camden Superb Gramophone white label Collector's Issue 12" 78 rpm record Condition: EXCELLENT close to PRISTINE, plays EXCEPTIONALLY quiet faint matrix hissCHOICE COPY BiographyAlthough he sang in choirs as a child, Edmond Clement began his university studies to become a civil engineer, but soon quit to enter the Paris Conservatoire where he studied with Victor Warot. He made his debut as Vincent in Gounod's Mireille at the Opera-Comique in 1889. He remained a member of that company until 1910 and gave occasional guest performances there until 1916. Although he appeared in Brussels, London, Madrid, and Monte Carlo, his most renowned performances outside of Paris were in the United States. He made his Metropolitan Opera debut as Werther and later he sang Fenton in Falstaff under Toscanini, the roles of Des Grieux and Fra Diavolo. He sang with the Boston Opera Company where his most important roles were Werther, Des Grieux, Don Jose and Hoffmann. In 1913, he made an extensive tour of the United States and Canada. He returned to France in 1914 to join the French Army at the outbreak of fighting with Germany. He was wounded, but then continued to entertain the troops. In 1921, he returned to New York to give a recital, and in December, 1927, he gave his last recital, just three months before his death. Blessed with a lovely lyric tenor voice, Clement sang nearly all of the French and Italian roles best suited to his voice. By carefully monitoring his vocal health, he was able to take on some of the heavier roles such as Hoffmann and Don Jose, but he was most famous as Des Grieux and Werther. He was a noted Rodolfo in La Bohème and Pinkerton in Madama Butterfly as well as a Tamino in Die Zauberflote and Don Ottavio in Don Giovanni. Of course, all of these roles were sung in French. In 1893, he starred in Phyrne by Saint-Saëns and in 1907 he created the role of Armand in Massenet's Therese. He also created roles in operas by Godard, Dubois, Bruneau, Erlange, and Dupont. Among his other important roles were Almaviva in Il barbiere di Siviglia, Ernesto in Don Pasquale, and John Brown in Boieldieu's La dame blanche. He was also highly regarded as a recitalist. The last decade of his career was spent giving recitals around the world. The recordings of Clement, which have always been very highly regarded by collectors, are dominated by the 1905 Odeons and the Victor recordings from the early 1910s . His very first recording is Almaviva's first aria from Barbiere di Siviglia where Clement displays his subtlety and flexibility to great effect. The Victor recordings includes a beautiful version of the famous duet from Bizet's Pearl Fishers with Marcel Journet. The recording does not have the visceral impact of the Bjorling-Merrill recording, but the lovely soft singing and exemplary phrasing is much more in the French style. The stunning recording of the aria from La dame blanche by Boieldieu is from his later Pathe recordings .In this, he displays facility and control rarely encountered on later recordings and throughout he maintains a lovely sound. Edmond Clement provides a direct link to the great composers of the late nineteenth century and should be represented in the collection of all opera lovers. ~ Richard LeSueur, All Music Guide More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution

Price: 14.99 USD

Location: San Francisco, California

End Time: 2024-11-09T18:42:51.000Z

Shipping Cost: 7.49 USD

Product Images

1912 EDMOND CLEMENT Marcel JOURNET Robert Le DIABLE DU RENDEZVOUS / Le Bonheur1912 EDMOND CLEMENT Marcel JOURNET Robert Le DIABLE DU RENDEZVOUS / Le Bonheur1912 EDMOND CLEMENT Marcel JOURNET Robert Le DIABLE DU RENDEZVOUS / Le Bonheur

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: CLICK RIGHT ARROW > FOR CONDITION, EDMOND CLEMENT, Marcel JOURNET

Format: Record

Material: Shellac

Genre: Classical, Opera

Record Label: Gramophone Company

Record Size: 12"

Style: A Capella, Aria, Ars Nova, Ballad, Barcarolle, Canon, Cantata, Canzona, Chorale, Duet, Eastern European Music, Elegy, Film Score/Soundtrack, France & Belgium, French Music & Chansons, German music, Germany & Austria, Italian Music, Lied, Lullaby, Madrigal, Mass, Motet, Musical/Original Cast, Oratorio, Requiem, Russian Music, Spanish Music, Traditional & Vocal, Vocal

Speed: 78 RPM

Release Title: Robert le Diable: Du rendez-vous/ Le bonheur est dans l'inconstan

Language: Croatian, French, German, Italian

Catalog Number: VB30, VB 30, VB-30

Sub-Genre: Opera

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